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Blaudzun - Jupiter (Part II)

Cover von Jupiter (Part II)
Blaudzun
Jupiter (Part II)

Label Glitterhouse Records
Erstveröffentlichung 03.03.2017
Format CD
Lieferzeit 1 – 3 Werktage
Preis 9,75 € (inkl. MwSt. zzgl. Versand)
Rezension

Mit den Alben „Jupiter I“, „Jupiter II“ und „Up“ veröffentlichte der charismatische niederländische Songwriter und Klangkünstler zwischen 2016 und 2018 ein dreiteiliges Konzeptwerk, das seinesgleichen sucht. Ein zeitloses Meisterwerk, zwischen Artpop, Progressive und Indie-Folk changierend.


Am 07. Oktober 2016 veröffentlichte Blaudzun mit Jupiter den ersten Teil seiner dreiteiligen Albumreihe. Für den 03. März 2017 kündigte der holländische Künstler jetzt Teil II des Album Tryptichons an, der aus 9 lebhaften neuen Songs besteht. Johannes Sigmond alias Blaudzun legt auf Jupiter Part II Zeugnis seiner Vorliebe für Kraut Rock, 80er Bowie, Bruce Springsteen und zeitgemäßem Indie-Pop ab. Auf knapp 40 Minuten überzeugt er durch atemberaubende Arrangements, sein unverkennbares Timbre und die eingängigen, aber stets raffinierten Melodien.


Wenn es eine Konstante in Blaudzuns erfolgreicher Karriere gibt, dann ist es seine inbrünstige Arbeitsmoral. Ob auf Tour, im Studio oder auf der Bühne, Sigmonds Kunst ist immer durch seine starke Selbstbestimmung definiert. Ein Album, das aus drei Teilen besteht, ist eine andere Herangehensweise und stellte ihn vor neue kreative Herausforderungen: “I started writing songs for Jupiter Part II almost immediately after the last shows supporting Part I. It’s been very stimulating, especially the pace in which I’m producing a record. There’s always a sense of risk involved, and I really enjoy that” sagt Blaudzun. “Think of it as a fresh bottle of wine: the grapes that have been picked are immediately processed, with no time to ripe properly. At the moment, that’s exactly how I’m approaching my songs. The transition between fledging ideas and finished compositions happens relatively quick.”


Einer der Songs auf Part II bildet eine Ausnahme. Die grundlegende Idee zu 'Tear Gun' hatte Blaudzun bereits vor sieben Jahren: “Prior to the sessions for Seadrift Soundmachine, Heavy Flowers and Promises of No Man's Land, I kept fiddling with ‘Tear Gun’. In a way, the song served as a launchpad for all the work I’ve done on my previous albums. But I was never quite pleased with it, and I never got around to actually finishing it. However, the concept and overall vibe of ‘Tear Gun’ inspired me to write a lot of other stuff. I reckon there are about sixty versions of ‘Tear Gun’ in total. This time, nevertheless, I kind of felt obligated to include the track on Jupiter II. Perhaps the time was simply right, or perhaps I had to warm up to the song myself, maybe that’s the case.”


Eine der besonderen Eigenschaften von Jupiter Part II sind die durchbohrenden Drums und vor allem das Baritonsaxofon, welches schon innerhalb der letzten Liveshows eine geheimnisvolle und romantische Stimmung kreierte. Die analogen Synthesizer rücken innerhalb der Gesamtproduktion mehr in den Vordergrund, jedoch ohne Blaudzuns Sound zu sehr zu beeinflussen. “Melody and drums are the ones in charge. The inflections of the bass and drums shift and alternate repeatedly, a bit like an ebb and flow-effect. Also, Jupiter Part II features more traditional song structures than on Part I” sagt Blaudzun selbst über das Album.


"DON’T BELIEVE THE SINGING WHEN THEY SPEAK - TRUTH WILL CARRY ON THROUGH MELODY" -
Press On (Monday's Child)

'Press On (Monday's Child)', die erste Single des neuen Albums, entstand bereits als Demo während der letzten Tour, geschrieben für Sigmonds Tochter: “Teenagers – and especially daughters – aren’t exactly waiting on advice from their old man. That’s why I summarized my thoughts, spelled out my good intentions in a single song. Some of these are a bit tongue-in-cheek, mind you. Still though, I hope she takes it all to heart now. She is proud of the end result all the same. Generally speaking, ‘Press On’ is a call to arms and an ode to perseverance amidst times of misery or setback.”


Jupiter Part II wurde im September und November 2016 im Mailmen Studio in Utrecht aufgenommen. Blaudzun produzierte das Album selbst mit Hilfe von Sound Engineer Martijn Groeneveld und seinem Bruder Jakob Sigmond. Am 4. März wird er sein neues Album im Tivoli Vredenburg’s Grote Zaal zum ersten Mal live präsentieren, gefolgt von exklusiven Clubshows in seiner Heimatstadt Arnheim, Groningen, Den Haag, Gent und Berlin. Außerdem werden Blaudzun und seine Liveband auf dem Eurosonic/Noorderslag Festival in Groningen auftreten.

Review

On October 7th, Blaudzun released the first of his three-part album cycle Jupiter: Jupiter Part I. According to Rolling Stone Germany, Part I was “...a genuinely powerful musical statement.” Blaudzun has now announced the second installment. Jupiter Part II contains brisk new songs exemplar to Blaudzun’s knack for stunning arrangements and large-scale sonic inquiry. This time, sounds testimonial to the German kraut rock movement, 80s Bowie, Bruce Springsteen and contemporary indie pop have shaped the Dutch songwriter’s (real name Johannes Sigmond) unique songwriting acumen. Jupiter II is slated for release on March 3rd. Over the breadth of nine tracks, Blaudzun’s unmistakably rich timbre and shrewd pop melodies permeate more than ever.

If there’s one consistent thing throughout Blaudzun’s prolific career, it’s is his devout work ethic: whether he’s occupying himself with touring, writing or media-appearances, his art is always spearheaded by strong self-determination. Making an album comprised of three different parts deviates from the traditional game plan. This fresh approach dovetails with new creative challenges as well. “I started writing songs for Jupiter Part II almost immediately after the last shows supporting Part I. It’s been very stimulating, especially the pace in which I’m producing a record. There’s always a sense of risk involved, and I really enjoy that. Think of it as a fresh bottle of wine: the grapes that have been picked are immediately processed, with no time to ripe properly. At the moment, that’s exactly how I’m approaching my songs. The transition between fledging ideas and finished compositions happens relatively quick.”

Tear Gun
One of the cuts on Part II, ‘Tear Gun’, is an exception to this rule. Blaudzun came up with the basic idea of the track more than seven years ago. “Prior to the sessions for Seadrift Soundmachine, Heavy Flowers and Promises of No Man's Land, I kept fiddling with ‘Tear Gun’. In a way, the song served as a launchpad for all the work I’ve done on my previous albums. But I was never quite pleased with it, and I never got around to actually finishing it. However, the concept and overall vibe of ‘Tear Gun’ inspired me to write a lot of other stuff. I reckon there are about sixty versions of ‘Tear Gun’ in total. This time, nevertheless, I kind of felt obligated to include the track on Jupiter II. Perhaps the time was simply right, or perhaps I had to warm up to the song myself, maybe that’s the case.”

One of the more remarkable features of Jupiter II are the piercing drums and especially the baritone sax, giving Blaudzun’s commanding live performances a vivid sense of romanticism and mystique. Deft analogue synths are featured more pervasively within the overall production, without upending the sheer gravitas of Blaudzun’s creative vernacular. “Melody and drums are the ones in charge. The inflections of the bass and drums shift and alternate repeatedly, a bit like an ebb and flow-effect. Also, Jupiter Part II features more traditional song structures than on Part I.”


"DON’T BELIEVE THE SINGING WHEN THEY SPEAK - TRUTH WILL CARRY ON THROUGH MELODY" - Press On (Monday's Child)

Daughters
'Press On (Monday's Child)', the first single off of Jupiter part II, was a fixture already during Blaudzun’s previous tour. He wrote the song for his daughter. “Teenagers – and especially daughters – aren’t exactly waiting on advice from their old man. That’s why I summarized my thoughts, spelled out my good intentions in a single song. Some of these are a bit tongue-in-cheek, mind you. Still though, I hope she takes it all to heart now. She is proud of the end result all the same. Generally speaking, ‘Press On’ is a call to arms and an ode to perseverance amidst times of misery or setback.”


"RISK THE DARK TO SEE THE SUN NOT GONNA WASTE THE MUD, RUB IT INTO YOUR EYES AND SEE" - Mud

Jupiter Part II was recorded between September and November 2016 at the Mailmen Studio in Utrecht. Blaudzun once again self-produced the album, with the aid of mixer/engineer Martijn Groeneveld and his brother, Jakob Sigmond. On March 4, Blaudzun will present Jupiter Part II at TivoliVredenburg’s Grote Zaal, followed by dates in his hometown of Arnhem, Groningen, The Hague, Ghent and Berlin with a couple of exclusive club shows. Blaudzun and his band will also make an appearance at showcase festival Eurosonic/Noorderslag in Groningen.

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